| Content Page |
List of Illustrations viii<br/>Note on Contributors ix<br/>1. Diaspora and the Difficult Art of Dying Sudeslı Mishra p.1.<br/>2. A Market for Aboriginality: Primitivism and Race Classification in the Indentured Labour Market of Colonial India Kaushik Ghosh p.8,<br/>3. Colouring Subalternity: Slaves, Concubines and Social Orphans in Early Colonial India Indrani Chatterjee p.49,<br/>4. Taming Traditions: Legalities and Histories in Twentieth-Century Orissa Ishita Banerjee Dubep.98,<br/>5. Spatializing History: Subaltern Carnivalizations of Space in Tiruppuvanam, Tamil Nadu Sundar Kaali p.126,<br/>6. Untouchable Freedom: A Critique of the Bourgeois- Landlord Indian State Vijay Prashad p.170,<br/>7. Indian Magical Realism:,<br/>Notes on Popular Visual Culture Christopher Pinney p.201<br/>8. Gendering the Nationalist Subject': Palestinian Camp Women's Life Stories Rosemary Sayigh p.234 <br/><br/>List of Illustrations<br/>1. Frontispiece to Edward Moor, The Hindu Pantheon (London, 1810). Courtesy of SOASp.226,<br/>2. Calcutta Art Studio chronmolithograph of Kali, collected by B.A. Gupte. Courtesy of Royal Anthropological Institute Photographic Collection p.227,<br/>3. 'Kichak-Sairandhri', Postcard based on the Ravi Varma image published by P.S. Joshi Art Publisher, Bombay, c. 1910p.228,<br/>4.'Keechak Sairandhri', Ravi Varma Press chromolithograph decorated with cloth and brocade, c. 1900. Author's collection " p.229,<br/>5. Ashtabhuja Devi', the original Ravi Varma Press chromolithograph. Courtesy Ashmolean Museumn, Oxford p.230,<br/>6. 'Ashtabhuja Devi', the revised Ravi Varma Press chromolithograph. Courtesy Ashmolean Museum, Oxford<br/>p.231,<br/>7. "The Cow with Eighty-four Deities',the original Ravi Varma Press chromolithograph. Author's collection p.232,<br/>8. "The Cow with Eighty-four Deities',the revised Ravi Varma Press chromolithograph. Author's collectionp.233<br/> |
