| Formatted contents note |
Chapter 1: 93 Million Miles of Effect p.1, Reflections p.1, Our Planetary Clock p.2, Nature's Beauty and Light p.3, Animation of the Human Environment p.4, Part 1: Visual Perception and Light: Chapter 2: Visual Perception for Architecture p.8, Introduction and Application to Design p.8, Physiology of the Eye p.9, Seeing Edges and Contours: Ordinal Stimulation p.11, Brightness p.12, Simultaneous Contrast: Reversal at the Edge of Light p.13, Patterns of Edges and Light p.15, Light and Dark Adaptation of the Eye p.17, Gestalt Theory and Architectural Design p.19, Perceptual Simplicity p.23, Perception of Spatial Depth Visual Fields for the Designer p.24, Chapter 3: The Effects of Light p.31, Illuminance and Luminance, Luminance Ratios and Brightness p.32, Reflectance and Reflections: The Surface Action of Light p.35, In the Shadow of Light p.38, Texture as Surface Definition p.39, Glare p.42, Brightness and the Angle of Slant p.44, Transformation of Space by Reflected Light p.45, Chapter 4: Seeing Form-Space Relationships: The Perception of Form Figure-Ground in Space p.49, Figure, Ground, and Brightness p.54, Interspace p.55, The Mind in Visual Search p.59, Selection in the Visual World p.60, Hierarchy of Focal Accents p.62, Chapter 5: Luminance Brightness of Building Materials: The LBR System p.68, Photography and the Gray Scale p.70, A Nine-Zone Brightness Scale for Designers p.72, Determining the Luminance Brightness Rating p.73, Numerical Boundaries for the Zones, Luminance Brightness of Design Patterns p.76, LBR of Wood Species p.77, Memory and the LBR Scale p.78, Shifts in Zone by Texture and Slant p.81, Application to Design and Industry p.82, Chapter 6: Color Theory for Architectural Space p.88, Attributes of Color, Psychophysiological Response to Color p.89, The Munsell Color System p.90, The Color Circle and Hue Organization, Simultaneous Contrast and Afterimages p.91, The Brightness of Colors p.92, The Color of Light p.93, Surface Color Under Light p.95, Appearance of Color in Shadow, Color Adaptation p.97, Color and Spatial Effects p.98, Part 2: Analysis of Architectural Space: Chapter 7: The Spatial Envelope p.102, Boundaries for Spatial Definition p.103, Visual Perception of the Envelope p.106, The Character of Space p.110, Distortion of the Spatial Envelope p.112, Clarity of the Spatial Envelope p.115, Proportioning the Spatial Envelope p.117, The Color of Architectural Space p.120, Chapter 8: Articulation of the Spatial Envelope p.122, Patterning the Dominant Boundaries p.123, Penetration of the Spatial Envelope p.127, Articulation with Subspaces p.131, Spatial Banding p.133, Curvature and Level Change p.135, Chapter 9: Role of the Structural System p.141, Prominence of Building Form p.141, Structure Patterning the Spatial Envelope p.145, The Sources of Light p.149, Structural Synthesis for Architectural Beauty p.151 Chapter 10: Movement through Space p.158, Stimulus for Movement p.158, People Move Toward Light p.163, The Zone of Transition p.165, Brightness Changes as a Function of Movement p.167, Part 3: Designing with Space and Light p.172, Chapter 11: Lighting the Spatial Envelope, The Entry of Daylight p.173, Lighting the Wallsp.177, Ceilings of Light p.181, Lighting Accents on the Spatial Envelope p.184, Enclosure, Light, and Spaciousness p.189, Chapter 12: Lighting Forms in Space p.192, Objects of Light p.192, Multiple Levels of Light and Brightness Enhancement p.195, Contrasting Brightness for Visual Accents p.196, Lighting for Tasks p.199, Lighting Forms at the Periphery of Space p.200, Chapter 13: Connecting Spaces with Light: Interspatial Adaptive Brightness p.203, Application of Adaptive Brightness to Architectural Space p.208, The Shape of Things to Comne: The Visual Objective p.210, Framing the Visual Objective p.211, The Light at the End of the Tunnel p.212, Visual Objective Planning p.216, Screened Light in Space 220, The "Art of Transition" p.227, Chapter 14: Creating Lighted Space: Designing from Concept to Space p.229, Application of Selection in the Visual World p.232, Distribution of Light, Color, and Brightness p.234, Procedural Check for Space and Light Design p.137, Three-point Coordination for Design Continuity p.239, Creating Spaces for a Humanized Architecture p.243, Appendix: Photography and the Human Retina p.248, Space and Light Laboratory Interspace Model p.250, Interspace Model p.252, Luminance Viewer Multiluminator p.253, Directional Space Modelp.253, Lighting Accent Demonstrator p.255, Color Modulator p.255, Bibliography p.258, Name Index p.267, Subject Index p.271 |
