| Formatted contents note |
Allan Delafons, editor The Penrose Annual: Review of the year's economic, technical, industrial, and aesthetic trends and developments in the communications field p.xv, Structure and Substance: KENNETH GARLAND, art editor, Design magazine, London Twentieth-century concepts of graphic form, derived from the language of vision' defined by Moholy and Kepes, are exemplified in the work of America's Saul Bass and Switzerland's Karl Gerstner. In Britain a clear connexion between structure and substance has yet to be evolved p.1, Designed for Doctors: R. S. Newton, deputy head of promotion, Geigy Pharmaceutical Company Limited, Manchester, England, Symbolism or realism are the choices confronting designers of printed material aimed at doctors to promote sales of ethical drugs'. Much lively and original work is being done in this unpublicized field of the graphic arts p.11, TV is in Print: E. E. F. Boer, director, Perry Press Productions Limited and L. Delow & Company Limited, London. Commercial television, newest of advertising media, is itself a patron of the older graphic arts on a large scale. In its many kinds of printing ITV shows its responsiveness to untraditional forms of visual presentation p.14, Evidence of Study: STANLEY HICKSON, ATD, MSIA, head of the graphic design department, City of Canterbury College of Art, Canterbury, Kent, An important and rewarding part of the curriculum at Canterbury leads to the illustrated original essay on a relevant theme required of candidates for the National Diploma in Design. In their first-hand research, and in the writing, illustration and design of unique, one-copy, books, students discover and record vanishing forms of local popular art p.17, Typophiles' Adventures in Bookmaking: PAUL A. BENNETT, typographic promotion manager, Mergenthaler Linotype Company, Brooklyn, USA, their Chap Books-collectors' Concerned professionally with the graphic arts the US Typophiles become true amateurs in producing, co-operatively, their Chap Books collectors pieces from the first volume, and International in subjects p.21, Van Krimpen: S. L. HARTZ, general art director, Joh. Enschedé en Zonen, Holland Reflecting the epicure and the sybarite in his typography, and the mathematician's order and clegant precision in his type designing, van Krimpen was relentless in his opposition to the slipshod, the illogical and the tasteless in any piece of print p.28, Lettering and the Letterhead: Book Design and Illustration in the DDR: Allan Delafons, Classic tradition and young experimentalism compete, and co-operate, in the design and the illustration of the products of both State and privately owned book-publishing houses of East Germany p.46, Report on Poland: Charles Rosner, director, Charles Rosner & Associates, London In young people's publications, in film and exhibition posters, in book jackets, in newspaper drawings and cartoons, modern Polish artists manifest imagination and free expression p.50, The Conscience of the Press p.54, WILLIAM M. GARDNER, ARCA, MSIA, MSSI, FRSA, Calligraphic rather than typographic in origin letterheads, both for business and private use, offer a challenge to the designer in the creation of lettering, the arrangement of shapes, and the exploitation of materials and processes, The Wallpaper Designs of William Morris p.41, Black Alphabet: P. M. HANDOVER, London p.64, Newspaper Format: ALLEN Hutt, editor, The Journalist, London p.70, Obscene Publications ERIC DIXON, B Com, London, p.73, Newspaper Facsimile Equipment J.V. FoLL, OBE, chairman and managing director, Muirhead & Company Limited, Beckenham, England p.78, Facsimile Transmission of Daily Newspaper: MASAO YOSHIMURA, engineering director, The Asahi Shimbun, Japan p.82, Registration of Pre-printed Gravure Webs : D. H. BENT, technical director, J. F. Crosfield Limited, London Four-colour photogravure newspaper illustrations are being produced with rotary letterpress sections printed subsequently in exact register on the re-reeled web with the aid of developed electronic controls p.87, Electronics in Colour Printing: GORDON S. ALLEN, AMIEE, ARPS, chief research engineer, J. F. Crosfield Limited, London p.90, Work Study: CHARLES MANSELL, managing director, Balding and Mansell Limited, Wisbech, Cambs., England p.95, Collectors' Pieces: Gravure Printed Stamps: KENNETH F. CHAPMAN, editor, Stamp Collecting, London p.99, Printing Transparent Wrappings: BRUCE SAMWAYS, MA, AINSTP, technical director, Colodense Ltd, Bristol The invention of truly transparent film and its extensive and ever growing use today for wrapping and packaging have lessened the traditional domination of paper in printing processes, but have created entirely new problems. Scientist, engineer, and printer have combined to solve them p.103, Programme of Printing Research: V. G. W. HARRISON, PhD, F Inst P, FRPS, FIES, director of research, the Printing, Packaging and Allied Trades Research Association, Surrey, England Long-term research into the fundamentals of processes and shorter experiment to reduce the day-to-day problems in all the methods of graphic reproduction are included in a new programme on which work is well under way at PATRA's Leatherhead laboratories p.108, Theory of Impression and Rolling Contact: R. D. W. MILLER, BA, letterpress research department, PATRA Measurement of cylinder rolling speed and the scientific study of rolling contact between forme and impression cylinder are helping to validate a new theory and to eliminate various causes of faulty letterpress reproduction p.111, European Photolitho: F. G. WALLIS, ARPS, instructor in camera operating, London School of Printing p.115, Cockroaches and Bookbinding: D. M. Evans, BSC, FRES, entomologist, PATRA p.118, |
