Fieldwork in landscape architecture : methods, actions, tools

7542, Burhani Book Centre 2025-08-28

Acknowledgments p.xi, Introduction p.3, What You Seek p.14, What You Carry p.16,
How You Act p.17, What You Leave Behind p.19, What You Seek p.25, Landscapes of
Sound Brenda Brown p.31,Cultural Excavation, Noémie Despland-Lichtert and
Brendan Shea p.33, The Traveling Transect Lisa Diedrich and Gini Lee p.37,Bridges
and Animal Affection Yibo Fan p.40, Reconnaissance in the Wild Katy Foley p.43
Fieldwalking the City, Aroussiak Gabrielian and Alison B. Hirsch p.46, Phenological
Investigations David Hill p.50, Living Islands in an Expired Landscape, Simon kKilbane
p.54,Experiencing Landscape, Making Sense Joern Langhorst p.57, Gestalt of the
West Caroline Lavoie p.60,Chiaroscuro in the Public Realm Suzanne Mathew p.64,
Design Fieldwork Experiments Brett Milligan p.68, Forsaken Ground Elisabeth Lisa'
Orr p.71, Source and Surface Joseph Ragsdale p.74, Sense of Place Deni Ruggeri
p.77, Digging ln Amy Whitesides p.79, Barrenland Botany Mary Anne Young p.82,
What You Carry p.89, Second Site
Alex J. Albans p.95, Investigative Seeking Kate Bolton Ricketson p.97, Reading
Landscapes in Time Brenda Brown p.100, Rise over Run Christine Byl p.104, The
Carrito David de la Peña p.107, Site Literacy Elen Deming p.110, Reading the Parc
des Buttes-Chaumont Ann E. Komara p.113, Constructing a Design Imagination
Phoebe Lickwar p.117, Landscape as Storyboard Evan Mather p.120, La Botte Mary
Pat McGuire p.123, Movement and Drone Surveying Brett Milligan p.126, Field
Impression Maura Rockcastle p.129, Mission Landscape Visually Explored Michael
Sánchez p.134, Dronescapes Elinor Scarth and Tiago Tores Campos p.138, Fields of
Invisibility Jillian Walliss and Wendy Walls p.143, How You Act p.151, Ethnography
and Design in the Garden David de la Perña p.157, Ecological Landscape Analogs
Nick Assad, Todd Fell, Steve Hill, Mary Anne Young p.159, Site Analysis Arica
Duhrkoop-Galas p.162, Dynamic Viewing Valerie Friedmann and Molly Hendry p.165,
Things Unfold Kona Grayp.168, Camping and Hypnagogia Catherine Page Harris
p.173, Creative Visualization Jon Hunt p.176, Sensing Place Sara Jacobs p.180,
Obsession Peter Jodaitis p.183, Discovering the Field Paul Kelsch p.186, Walking and
Drawing Cat Soergel Marshall p.190, Learning to See Patrick A. Miller p.193, Acting
Out of Turn Elinor Scarth and Etienne Haller p.196, Breaking Path Henrik Schultz
p.200, The Grassroots View Zeinab Tag-Eldeen p.203, Embodied Mapping Rennie
Tang p.206, Move like an Animal Judith Wasserman p.209, Finding the Flows Barbara
Wilks p.212, What You Leave Behind p.219, On Walking Roberley Bell p.224,
Opportunism at Buffalo's 'Silo City'
Sean Burkholder and Jason Kentner p.227, From Fieldwork to Theory Work Daniel
Coombes p.231, Instant Gardens Miguel Costa p.233, Landscape Visions in the Field
Enrica DallAra p.236, Unearthing Hardberger Park David Hill p.240, Site Omaha
Cynthia Hron p.244, Drawing a Length of Ground Katherine Jenkins p.249, Weed
Aesthetics Katie Kingery-Page p.253, The World Is Not Flat Mark Klopfer p.257, In the
Frame Caroline Lavoie p.261, On-site Drawing Cat Soergel Marshall p.264, From Full-
Scale to Site Drawing Joseph Ragsdale p.268, Fictional Landscapes Blythe Yost
p.271, About the Contributors p.275,Figure Credits p.285, Index p.291.

"Fieldwork in Landscape Architecture: Methods Actions Tools addresses the initial encounter between landscape designer and landscape site, an encounter that determines the
entire course of the design process. The book offers a four-part framework ('what you seek,' 'what you carry,' 'how you act,' and 'what you leave behind') for learning and practicing
fieldwork as a landscape design skill, and contains over sixty first-person accounts by international practitioners and educators about the methods and tools they bring to the field,
from drones to dance. The first title of its kind, Fieldwork will be an invaluable resource for students and instructors of landscape architecture, as well as for anyone interested in
the practice and experience of direct encounter with real places"-- Provided by publisher