Tilt Pause Shift: Dance Ecologies in India

By: Anita CherianMaterial type: TextTextPublication details: Tulika Books ; 2016Description: 250ISBN: 9789382381853Subject(s): Performing ArtDDC classification: 792.8
Contents:
Dancing in the now: Conditions, Categories, Possibilities by Anita E. Cherian p.15, Redefining the Public, Naturalizing the Private: The Rewiring of Cultural Policy Discourse in India by Anita E. Cherian p.31, Chandralekha Mahakal by Veena Basavarajaiah p.47, The Contemporary between Time and Art Or Time as Art by Sundar Sarukkai p.55, Jayachandran Palazhy: Purushartha by Rajyashree Ramamurthi p.73, Padmini Chettur Pushed by Rajyashree Ramamurthi p.79, Liminal Spaces Odissi as a Continually EvolvingForm by Ranjana Dave p.85, Surupa Sen Vibhakta by Ranjana Dave p.99, What’s the new Message? Reading Dance in the Political Landscape of India by Parvathi Ramanathan and Himalay K. Gohel p.105, Deepak Kurki Shivaswamy NH7 Ranjana Dave p.121, Surji Nongmeikapam Onevoice by Abantee Dutta p.125, The Contingent of Contemporaneity the Failure of Contemporary dance to become Political by Brahma Prakash p.129, Mandeep Raikhy a Male ant has straight Antennae by Shabri Rao p.149, The Body Laboratory by Padmini Chettur p.155, Preethi Athreya Sweet Sorrow by Parvathi Ramanathan p.171, Kapila Venu Narasimhavataram by Rose Merin p.179, Bodily Fluid: The Movement of Bollywood Dance From Body to Body by Paromita Vohra p.183, Maya Krishna Rao A deep Fried Jam by Arushi Singh p.199, Tradition as an Archive Box Lovating Autonomy, de Policing Ambition by Navtej Johar p.205, Navtej Johar Meenakshi by Justin McCarthy p.217, Nimmy Raphel Nidravathwam by Anita E. Cherian p.221, Chasing the Tales in the process of a Five Year Cultural Exchange by Gabriele wittmann and Esther Sutter p.227
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Book Book Kamla Raheja Vidyanidhi Institute for Architecture and Environmental Studies
General Stacks
792.8 (Browse shelf(Opens below)) Available 7429

Dancing in the now: Conditions, Categories, Possibilities by Anita E. Cherian p.15, Redefining the Public, Naturalizing the Private: The Rewiring of Cultural Policy Discourse in India by Anita E. Cherian p.31, Chandralekha Mahakal by Veena Basavarajaiah p.47, The Contemporary between Time and Art Or Time as Art by Sundar Sarukkai p.55, Jayachandran Palazhy: Purushartha by Rajyashree Ramamurthi p.73, Padmini Chettur Pushed by Rajyashree Ramamurthi p.79, Liminal Spaces Odissi as a Continually EvolvingForm by Ranjana Dave p.85, Surupa Sen Vibhakta by Ranjana Dave p.99, What’s the new Message? Reading Dance in the Political Landscape of India by Parvathi Ramanathan and Himalay K. Gohel p.105, Deepak Kurki Shivaswamy NH7 Ranjana Dave p.121, Surji Nongmeikapam Onevoice by Abantee Dutta p.125, The Contingent of Contemporaneity the Failure of Contemporary dance to become Political by Brahma Prakash p.129, Mandeep Raikhy a Male ant has straight Antennae by Shabri Rao p.149, The Body Laboratory by Padmini Chettur p.155, Preethi Athreya Sweet Sorrow by Parvathi Ramanathan p.171, Kapila Venu Narasimhavataram by Rose Merin p.179, Bodily Fluid: The Movement of Bollywood Dance From Body to Body by Paromita Vohra p.183, Maya Krishna Rao A deep Fried Jam by Arushi Singh p.199, Tradition as an Archive Box Lovating Autonomy, de Policing Ambition by Navtej Johar p.205, Navtej Johar Meenakshi by Justin McCarthy p.217, Nimmy Raphel Nidravathwam by Anita E. Cherian p.221, Chasing the Tales in the process of a Five Year Cultural Exchange by Gabriele wittmann and Esther Sutter p.227

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