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  <titleInfo>
    <title>Event-cities 5 : poetics</title>
  </titleInfo>
  <name type="personal">
    <namePart>Tschumi, Bernard</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">Cambridge</placeTerm>
    </place>
    <publisher>The MIT Press</publisher>
    <dateIssued>2024</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <physicalDescription>
    <extent>639p.</extent>
  </physicalDescription>
  <abstract>"Event-Cities 5 is the fifth and final volume in the MIT Press series documenting recent built and unbuilt projects by Bernard Tschumi"</abstract>
  <tableOfContents>Introduction: Poetics p.13, Prologue: Advertisements &amp; Transcripts p.23, 20th-Century Follies, 1979-1982: Abstract Constructions p.28,
A. Circular Autonomy &amp; Dialogue, Carthage, Carthage National Museum, 2022: Gardens and Crowns p.48, Alésia, MuséoParc, 2002-12 (revision 2015): Dual Panoramic Fortilication p.60, Geneva, World Health Museum, 2018: Compositions p.88, Shenzhen, Finance Culture Center, 2020: Chance Encounters over Nature p.104, Rolle, Center for Science and Entrepreneurship, 2017-25: Twin Circles p.120,
B1. Abstract Superpositions (Concepts), Doha, Presidential Hotel, 2013: Suspended Volumes p.156, Monaco, Tour Honoria, 2016: Tripartite Articulations p.164, Luxembourg, ArcelorMittal Headquarters, 2017: Autonomous Parts p.176,
B2. Site-Specific Superpositions (Contexts) Anyang, Yinxu Ruins Museum, 2019: The River and the Ruins p.204, Lausanne, Musée Cantonal des Beaux-Arts, 2010: Hovering Vista p.216, Shenzhen, OCT-LOFT Master Plan, 2011: Insertion/Densification p.228, Guangzhou, Guangzhou Museum, 2014: Directed Dialogue p.240,
C. Analogical Reference, Paris, Cité Musicale, lle Seguin, 2012: Ship, Lantern, Passage, Garden p.264, Tianjin, Binhai Science Museum, 2013-19: Industrial Cones p.280, Geneva, Caran d'Ache Headquarters, 2021: Colored Pencil Allusions p.324, Grottammare, A.N.I.MA. Cultural Center, 2012-14: Courts and Facades p.340,
D. Typological Urbanisms, Shenzhen, Xiangmihu Area, 2018: Singular Towers on Hanging Garden p.376, Beijing, 100KM2 City, 2018: Cluster Grid p.388, Budapest, Museum of Ethnography, 2016: Architectural Landscape p.400, Paris-Saclay, Biology-Pharmacy-Chemistry Center, 2015-22: Interlinked Chain p.416,
E. Self-Preservation, Geneva, Vacheron Constantin Headquarters Extension, 2011-15: Thermatic Variation p. 484, Tourcoing, Le Fresnoy Extension, 2019: Material Continuations p.504,
Paris, Folie P7 Café, Parc de la Villette, 2011: Material Hypervigilance p.516, Paris, Folie L4 Hyper Tent, Parc de la Villette, 2021: Material Difference p.524, France Micro-folies, 2015-: Combinatory Games p.536,
F. Retrospective Concepts, New York, Thresholds, Museum of Modern Art, 1994: Architecture and Event p.548, Orléans, Chronomanifestes 1950-2010, Frac Centre, 2013-14: Avant-Garde Timeline p.556, Paris, Retrospective, Centre Pompidou, 2014: Concept and Notation I p.564, Basel, Retrospective, Swiss Architecture Museum, 2015: Concept and Notation II p.580, Shanghai, Retrospective, Power Station of Art, 2016: Concept and Notation lI p.584,
Project Chronology (1974-2024), Project Teams, Project List, Bibliography p.591,
</tableOfContents>
  <note>XGIO- 16774, Amazon.in</note>
  <classification authority="ddc">711.1/TSC</classification>
  <identifier type="isbn">9780262549370</identifier>
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