01632nam a2200277Ia 4500003000400000005001700004008004100021022001300062040001000075082001000085082000800095100003300103245005400136260002500190260000900215300001000224365000600234365001100240365000600251365000600257505092900263650002501192942001201217999001501229952011001244OSt20230721143716.0181031s9999    xx            000 0 und d  a02125683  ckrvia  a724.6  bELC1 aCecilia, Fernando (Ed.)911610aEl Croquis: Frank Gehry: from A to Z, 1996 - 2003  bEL-Croquis editorial  c2003  a306p.  b0  cRupees  d0  e0  aA Conversation Frank Gehry [I] the design process by Colomina, Beatriz p.6,  [II] Gehry from a to z by Colomina, Beatriz p.18,Gehry stays on the edge by Webb, Michael p.34, Going for baroque (Frank Gehry and the post-modern drapery fold) by Lavin, Irving p.40, Walt Disney Concert Hall p.50, Nationale-Nederlanden Office Building in Prague p.88, The New Zollhof p.98, DZ Bank Building p.114, Experience Music Project p.132, Conde Nast Cafeteria p.160, Peter B. Lewis Building (Weatherhead School of Management) p.170, Richard B. Fisher Center for the Performing Arts p.200, The Ray and Maria Stata Center p.224, Corcoran Gallery of Art p.238, Hotel at Winery Marques de Riscal p.246, Millennium Park Music Pavilion and Great Lawn p.254, The New York Times Headquarters p.260, Jerusalem Museum of Tolerance p.266, Venice Gateway p.276, Guggenheim Museum New York p.286, Le Clos Jordan Winery p.294, Museo Puente de Vida p.300  aArchitectural Design  cBK2ddc  c3455d3455  00104070aKRVIAbKRVIAcGENd2018-10-31l14m1o724.6 ELCp3457r2026-04-30s2026-04-17w2018-10-31yBK