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  <titleInfo>
    <title>Woman's Eye, Woman's Hand: Making Art and Architecture in India</title>
  </titleInfo>
  <name type="personal">
    <namePart>D. Fairchild Ruggles</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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  <originInfo>
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    <publisher>Zubaan</publisher>
    <dateIssued>2014</dateIssued>
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    <issuance>monographic</issuance>
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  <language>
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    <extent>229</extent>
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  <tableOfContents>Introduction: In the Presence of Women by D. Fairchild Ruggles p.1, Reading Place Through Patronage: Begum Sarnru's Building Campaign in Early Nineteenth Century India byAlisa Eimen p.12, Breaking the Rules: Purdah, Self Expression and the Patronage of Maharanis in Jaipur by Catherine B. Asher p.41, The Buildings of the Begums of Bhopal: Islamic Architecture in a Nineteenth Century: Indian Princely State by Barbara D. Metcalf p.66, Memorial Parks to Begum Hazrat Mahal and Mayawati in Lucknow: Cultural Landscape and Political Ideologies by Amita Sinha p.92, Making Women (in)Visible?Homespun in the Nationalist Politics of Dress and Identity in Modern India, 1917- 1935 by Lisa Trivedi p.114, Seen Through A Screen: Doris Duke's Patronage of South Asian Artists by Sharon Littlefield p.144, Thinking Through Pictures: A Kantian Reading of Amrita Sher Gil's Self Portrait as Tahitian by Pradeep A. Dhillon p.163, Pravina Meht: A Woman Architect in Post Independence India by Mary N. Woods p.184, Shifting Boundaries and Creating Identities: Women Architects In India: 1960 Onward by Madhavi Desai p.207, About the Editor and Contributors p.228</tableOfContents>
  <subject>
    <topic>Art History</topic>
  </subject>
  <classification authority="ddc">709</classification>
  <classification authority="ddc">RUG </classification>
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