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  <titleInfo>
    <title>Oblique Drawing: A History of Anti-parspective</title>
  </titleInfo>
  <name type="personal">
    <namePart>Scolari, Massimo</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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  </name>
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  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">xxu</placeTerm>
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    <place>
      <placeTerm type="text">England</placeTerm>
    </place>
    <publisher>The MIT Press</publisher>
    <dateIssued>2015</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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    <extent>390p.</extent>
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  <tableOfContents>Introduction by James S. Ackerman p.vii, 1. Elements for A History of Axonometry p.1, 2. Spatial Illusionism in Pompeian Wall Paintings p.25, 3. Oblique Drawing p.47, 4. The Idea of Model p.137 , 5. Brunelles Chi's Model For The Dome of Santa Maria Del Fiore and The Gherardi Drawing p.185, 6. Demonstration Figures p.215, 7. Machinations p.247, 8. Soldierly Perspective p.287, 9. Drawing In Paralleli Modo p.325, The Jesuit Perspective in China p.341, 11. The Tower Of Babel: Form And Representation p.359, Index p.375</tableOfContents>
  <subject authority="lcsh">
    <topic>Graphics</topic>
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  <classification authority="ddc">720.284 SCO</classification>
  <identifier type="isbn">978026201774</identifier>
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