Mitter, Partha creator Mukharji, Parul text London Thames and Hudson 2022 monographic eng

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744p. The Geopolitics of Modernism in the 20th Century by Partha Mitter, Parul Dave Mukherji, Rakhee Balaram p.11, Part I: Colonial Modernity, Art and National Identity (1900-1947) p.17, Introduction Partha Mitter p.18, 1. Indian Artists' Dialogue with Modernity (1900- 1922) by Partha Mitter p.22, 2 Competing Voices Of Modernity (1922-1947) by Partha Mitter p.44, 3. Another voice of Modernity by Partha Mitter p.56, 4. Indian Photography in The Colonial Erap.64, 5. Empire, Colony and Nation: Abanindranath Tagore And The Shah Jahan Paintings by Debashish Banerji p.74, 6. Retake of Amrita Sher-Gil's Self-Portrait As Tahitian by Saloni Mathur p.84, 7. Rabindranath Tagore, Nandalal Bose and Art in Santiniketan by R. Siva Kumar p.96, 8. The 1940s: The Calcutta Group And The Bengal Famine by Sanjoy Mallik p.112, 9. Structures In Place: Modernity And Sculptural Imagination In 20th-Century India by Sanjukta Sunderason p.124, 10. The Arts And Crafts Movement: Modern Reinvocations by Naman P. Ahuja p.136, Part I: Post-Colonial Decades in Visual Art Practices: Introduction by Parul Dave Mukherji p.150, 11. Bombay Modern:The Progressive Artists' Group and the Quest for Significant Form by Yashodhara Dalmia p.156, 12. Exodus Westwards: Padamsee, Raza and Souza in Europe by Karin Zitzewitz p.172, 13. The Delhi Silpi Chakra: Art And Politics After The Radcliffe Line by Atreyee Gupta p.180, 14. Nation and Its Discontents: Group 1890 by Rebecca M. Brown p.192, 15. Crafting Modernity through Regional Traditions: The Madras Art Movement by Ashrafi S. Bhagat p.202, 16. Ornamental Modernism: Regional Aesthetics and the Art of Andhra Pradesh by Rohini Iyengar p.218, 17. Bengal Decentred: The Emergence of The Regional Modern by Nandini Ghosh p.224, 18. Looking 'East': The Art of Assam and Around by Amrita Gupta Singh p.238, 19. Framed Borders: Photography in India After Independence Rahaab Alana p.252, 20 The Classical And The Monumental In Indian Sculpture (1947-Present) by Annapurna Garimella p.266, 21 .The Making Of The Baroda School:When People Become Public by Parul Dave Mukherji p.274, 22. Museumizing The Present: Museums Of Modern Art In India, Public And Private p.298, 23 The Art Of Ldeas: Critics, Journals And Modernism In India (C. I946-1981) p.314, 24. .Modernist Myths and the Exile of Maqbool Fida Husain by Geeta Kapur p.326, Part Iii: Nation after Globalization: Art in India in the 1990s-2000s Introduction by Rakhee Balaram p.344, 25. Transformations: Art, Globalization And Cultural Politics In |990s India by Rebecca M. Brown p.354, 26. Public Quickening: Two Decades Of Installation Art In India (1990-2010) p.381, 27. Revisitations: Women Artists In India Since The T990s by Gayatri Sinha p.389, 28 .Minimal Abstraction In India by Grant Watson p.402, 29. Achaos Of Awakened Wonders': Heteroglossia And Multimodal Signs In Indian Sculptural Practice p.410, 30. Exit Wounds: Practice And Politics Of Performance Art In India by Rakhee Balaram p.424, 31. Photo-Fact, Photo-Fiction: Constructing Artist Photography In Modern And Contemporary Lndian Art by Shukla Sawant p.444, 32. An Archaeology of New Media Practice In India by Nancy Adajania p.461, 33. Indian Video Art and The 'New' Narrative Matrix by Johan Pijnappel p.478, 34. Post-Postcolonial Sensory Infrastructure by Ravi Sundaram p.488, 35. Art and Activism in India: A Return to The Public Sphere? p.496, 36. Practising Participation: Contemporary Community-Based Art Practice In India by Rajashree Biswal p.506, 37. The Contemporary In The 'Folk' and"Tribal' Arts of India by Jyotindra Jain p.522, 38. Dalit Art and Imagery: Expanding the Indian Contemporary Gary Michael Tartakov p.540, 39. Crafting Contemporary Art In India by Annapurna Garimella p.548, 40. Desultory Diaspora: Post-Lndependence and Contemporary South Asian Art by Rakhee Balaram p.558, 41. Domains Of Presentation and Reception: Indian Contemporary Art Overseas, Some Partial Perspectives by Lohn Clark p.578, Part IV: Mapping Several Regional Modernisms In South Asia: Pakistan, Nepal, Bangladesh, Myanmar and Sri Lanka Introduction by Partha Mitter, Parul Dave Mukherji, Rakhee Balaram p.602, 42. A Short History of Art in Pakistan by Simone Wille 604, 43. Framing Modern And Contemporary Art In Nepal by Dina Bangdel p.612, 44. Modern and Contemporary Art in Bangladesh by A.K.M. Khademul Haque p.620, 45. Contemporary Art From Myanmar Under Militarization by Zasha Colah p.624, 46. Modern And Contemporary Art In Sri Lanka by T. Sanathanan p.636, Epilogue: On The Edge of the Global p.642, Acknowledgments p.696, Glossary p.699, Brief Biographies p.699, Sources of Illustrations p.707, Index p.715 Art History 709.540904 MIT 9780500023327 220723 20240504105801.0