| 000 | 01555nam a22002177a 4500 | ||
|---|---|---|---|
| 003 | OSt | ||
| 005 | 20231227103047.0 | ||
| 008 | 231223b |||||||| |||| 00| 0 eng d | ||
| 020 | _a9783037787052 | ||
| 040 | _ckrvia | ||
| 082 |
_a724.6 _bDES |
||
| 100 | 1 |
_aDe Silva, Shayari _95381 |
|
| 245 | 1 | 0 | _aGeoffrey Bawa: Drawing from the Archives |
| 260 |
_aSwitzerland _bLars Muller Publishers _c2023 |
||
| 300 | _a248p. | ||
| 365 |
_aRs. _bRs. 4118 _cRs. _eRs. 4118 |
||
| 505 | _aGeoffrey Bawa: Suhanya Raffel and Michael Snelling p.7, Statement by the Architect Geoffrey Bawa p.11, Introduction: Drawing from the Geoffrey Bawa Archives by Shayari de Silva p.27, St. Thomas' Preparatory School, Colombo, 1957-63 p.53, Ena de Silva House, Colombo, 1960-62 p.65, The Lore of Lunuganga by Jyoti Dhar p.75, Rendering Place: On the Importance of Archives by Tariq Jazeel p.89, St. Bridget's Montessori, Colombo, 1963-64 p.107, The Most Important Open Space in Colombo by Meghal Perera p.117, Place, Flows and Transformations: Bawa in Bali by Shirley Surya p.133, Polontalawa Estate Bungalow, Nikaweratiya, 1963-67 Yahapath Endera Farm School, Hanwella, 1965-71p.153, Vanishing Points by Sean Anderson p.173, Bentota Beach Hotel, Bentota, 1966-69 p.191, Ceylon Pavilion at Expo '70, Osaka, 1969-70 p.201, Epilogue: Drawing Stories by Channa Daswatte p.213, Kandalama Hotel, Dambulla, 199I-95 p.227, Biography p.243, Authors p.244, Acknowledgments p.247, Colophon p.248 | ||
| 650 | 1 | 0 | _aArchitectural Design |
| 700 | 1 |
_a Anderson, Sean _95382 |
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| 942 |
_2ddc _cBK |
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| 999 |
_c10218 _d10218 |
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