000			03544nam a22002057a 4500
003			OSt
005			20240307162536.0
008			240301b |||||||| |||| 00| 0 eng d
020			_a9783035611892
040			_ckrvia
082			_a724.6 _bIVE
100	1		_aIvers, B. Cannon _95600
245	1	0	_aStaging Urban Landscapes: The Activation and Curation of Flexible Public Spaces
260			_aBasel _bBirkhauser _c2018
300			_a304p.
365			_aRs. _bRs. 6631 _cRs. _d20 _eRs. 5305
505			_aForeword by Charles Waldheim p.6, Preface by B. Cannon Ivers p.8, The Rise of Flexible Space B. Cannon Iversp.10, The Culture of Change: A Personal Reading byB. Cannon Ivers p.38, The Urban Surface: Shifting Fields for Curated Events by Alex Wall p.38, Open-Ended: Public Spaces as Complex Adaptive Systems by Chris Reed p.46, Funding Flexible Space by Nicola Dempsey p.54, Giant Bunnies and Electric Swings: Planning, Programming and Play by Chris Wangro p.58, Scratch That! by Sergio Lopez-Pineiro p.66, Case Studies:Harvard Plaza: Stoss Landscape Urbanism Cambridge, MA, USA p.74, Granary Square: Townshend Landscape Architects London, UK p.86, Watch This Space Royal Theatre Denys Lasdun London, UK p.94, Bradford City Park Gillespies Bradford, UK p.102, Potters Fields Park Gross .Max. London, UK p.108, Lawn on D: Sasaki Associates Boston, MA, USA p.122, A’beckett Urban Square Peter Elliott and Taylor Cullity Lethlean Melbourne, Australia p.134, John Madjeski Courtyard V&A, Kim Wilkie London, UK p.138, Battersea Power Station pop-up Park: Lda Design London, UK p.144, MOMA PS1: Various Through the Young Architects Program (YAP) Brooklyn, NY, USA p.150, Serpentine Pavilion Various Designers London, UK p.160, Robson Redux: Various Designers Vancouver, BC, Canada p.168, Radcliffe Public Art Competition Student Competition Cambridge, MA, USA p.180, LA Place Des Festivals and LA Promenade Des Artistes: Daoust Lestage Montreal, Canada p.192, Trafalgar Square: Foster + Partners London, UK p.198, Southbank Centre Square: Gross.MAX, London, UK p.204, Navy Yard Central Green: James Corner Field Operations Philadelphia, PA, USA p.208, The Goods Line: spect Studios Sydney, Australia p.214, Sechselautenplatz: Vetschpartner Zurich, Switzerland p.218, Benthemplein Water Square: De Urbanisten Rotterdam, Netherlands p.224, More London: Townshend Landscape Architects London, UK p.230, Bryant Park Olin New York, USA p.234, Somerset House Fountain Court: Donald Insall Associates London, UK p.240, Du Musee Avenue: Various Designers Montreal, Canada p.244, Berges De Seine: Franklin Azzi 󰁁rchitects Paris, France p.248, Schouwburgplein (Theatre Square): West 8 Rotterdam, Netherlands p.254, Centro Abierto De Actividades Ciudadanas (Caac), Paredes Pino Arquitectos Cordoba, Spain p.258, Schlossplatz - Temporary Park at Humboldt Forum: Relais Landschaftsarchitekten Berlin, Germany p.262, Designing for The Urban Sublime:The Uncanny as aProgrammatic motivation in New City Parks: F. Philip Barash and Gina Ford p.268, The Redevelopment of King’s Cross, London Ken Trew p.271, Key Projects of Aspect Studios by Kirsten Bauer p.275, Open and Invitational: The Design Approach of James Corner Field operations by Richard Kennedy p.278, Permanent and Ephemeral Culture:Place Des Festivals Quartier Des spectacles, Montreal by Daoust Lestage p.282, Innocence: Adriaan Geuze and Annemarie Kuijt p.285, Afterword: Design, Curation and Identity by James Corner p.288
650	1	0	_aArchitectural Design
942			_2ddc _cBK
999			_c10405 _d10405