000			04258nam a22001457a 4500
020			_a9783037786444
082			_a724.6/MER
100			_aMerrill, Michael(Ed.) _96064
245			_aLouis Kahn the importance of drawing
260			_aSwitzerland _bLars Muller Publishers _c2024
300			_a511p.
500			_a7467, Burhani Book Centre _b2025-03-11
505			_aPreface: Louis Kahn and the Importance of (a) Drawing Michael Merrill p.9, Getting Lost with Louis Kahn: A Lesson from the Archives Michael Merrill p.15, To be in touch beginning to draw, drawing to begin p.27, What Pernn Taught Kahn Michael J. Lewis p.29, The Gift of Being Able to Draw Louis Kahn p.38, Louis Kahn on Beaux-Arts Training Louis Kahn with William Jordy (1974) p.40, The More One Looks, the More One Comes to See: Louis I. Kahn's "The Value and Aim in Sketching" Michael Merrill p.42, Drawing Inward, Projecting Outward: Further Thoughts on the Value and Aim in Sketching Michael Merrill p.48,The Beginning of the Beginning: Louis I. Kahn's Site Sketches at the Salk Institute David Leatherbarrow p.67, The Color of Light, the Treasury of Shadows Sue Ann Kahn p.78, Active imagination animated the orthographic drawing set p.89, Something That Satisfies This, Something That Satisfies the Other: Toward a Definition of a "Beautiful Plan" with Louis Kahn Michael Merrill p.91, The Plan, a Society of Rooms: The Houses Michael Merrill p.114, The Plan, a Society of Rooms: The Meeting House of the Salk Institute Michael Merrill p.132, The Plan, a Society of Rooms: The Dominican Motherhouse Michael Merrill p.144, Louis Kahn and the Anatomy of the Architectural Section Michael Merrillp.157, The Primacy of the Section: The Kimbell Art Museum Michael Merrill p.178, Place, Occasion, and the Section: The Hurva Synagogue Michael Merrill p.192, On the Depth and Density of the Section: The Library of the Phillips Exeter Academy Michael Merrill p.202, Embodiment, Empathy, and Estrangement: Louis Kahn's Elevations Michael Merrill p.216, Plan and Section, Meeting and Making Place: The National Assembly in Dhaka Michael Merrill p.238, Dimensions of Depth Perspective and Axonometric Drawings p.257, Louis Kahn's Perspective Drawings: Between Proof and Nurture Michael Merrill p.258, Parallel Projections: Louis Kahn and the "Anti-Perspective" Michael Merrill p.284, Drawing together p.293, "The Arsenal of the Tools" William Whitaker p.294, Louis Kahn and the Act of Drawing: Some Recollections Marshall D. Meyers (1978) p.300, The Manner in Which We Have Made the Work: Echoes from the Drafting Room Louis Kahn and his Associates p.304, Land Architecture, a Great Conversation Excerpts from a Conversation with Harriet Pattison p.308, Growth or Composition? Colin Rowe to Louis Kahn Michael Merrill p.316, Drawing Connections An architect is a composer p.325, One, Two, Three... Louis, I., Kahn Michael Benedikt p.327, Kahn and Composition David Van Zanten p.353, Making a Room, Drawing a Plan: Construing Architecture as a Society of Spaces Robert McCarter p.365, Drawing an Architecture of Connection: Louis Kahn on Stairs Louis Kahn p.378, Drawing Between Part and Whole: The Tribune Review Building Michael Merrill p.384, Not the Form The Manner of Seeing Form p.397, The Book of Crazy Boats Nathaniel Kahn p.398, An Offering Michael Cadwell p.400, Drawing (on) Walls Jane Murphy p.407, Drawings That Question and Explain: Louis Kahn and the Cognitive Art of the Diagram Michael Merrill p.418, Drawing Theory: The Room, the Street, The City Michael Merrill p.432, Graphic Architecture: A Lithograph for Lynne Honickman Michael Merrill p.440, Redrawing Kahn p.445, Redrawing to Know: Geometric Descriptions of the City Tower Richard Wesley p.447, The Drawn and the Built: Louis Kahn's Memorial to President Franklin D. Roosevelt Gina Pollara p.467, Drawing from Kahn p.485, The Last Drawings: March 13-17, 1974 Michael Merrill p.486, Epilogue: Louis Kahn and the- Continued-Importance of a Drawing Michael Merrill p.490, Louis Kahn: Biography p.499, Acknowledgments p.500, Louis Kahn: Selected Built Works, 1951-2012 p.502, Works and Projects: Index of Illustrations p.505, Image Sources p.506, Selected Bibliography p.508, Author Biographies p.510.
942			_cBK
999			_c10778 _d10778