| 000 | 01981nam a2200265Ia 4500 | ||
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| 003 | OSt | ||
| 005 | 20230830115102.0 | ||
| 008 | 181031s9999 xx 000 0 und d | ||
| 020 | _a0856709441 | ||
| 040 | _ckrvia | ||
| 082 | _a724.6 | ||
| 082 | _bGEN | ||
| 100 | 1 |
_aJencks, Charles _95143 |
|
| 245 | 1 | 0 | _aArchitecture Today |
| 250 | _a2nd. | ||
| 260 | _bAcademy Editions | ||
| 260 | _c1988 | ||
| 300 | _a360p. | ||
| 365 | _b0 | ||
| 365 | _d0 | ||
| 365 | _e0 | ||
| 505 | _aIntroduction: Late-Modernism Versus Post-Modernism: The Two-Party System p.10, Late-Modernism: Chapter I: Late-Modern Departures p.21, Chapter 2: Slick-Tech: The Rhetoric of Corporate Proficiency p.50, Chapter 3: Twenties Revivalism: The White, Ideal Pavilions of Private Life p.74, Chapter 4: Late-Modern Space a Sign of Agnosticism p.90, Post-Modernism: Introduction p.111, Chapter 5: From Historicism to Radical Eclecticism p.112, Chapter 6: From Straight Revivalism to Distorted Ornament p.142, Chapter 7: Neo-Vernacular: The Sign of an Instant Community p.150, Chapter 8: Ad Hoc and Urbanist: Toward a City with Memory p.158, Chapter 9: Metaphor and Metaphysics: The Quandary of Content p.178, Chapter 10: Post-Modern Space: Layering, Elision, and Surprise p.200, Architecture Since 1980: Introduction: Late-Modernism Since 1980 p.220, Chapter 12: The New Expressionism p.222, Chapter 12: Monumental Expressionism p.230, Chapter I3: Intuitive Modernism the Picturesque use of Abstract Vocabulary p.240, Chapter 14: The Architecture of Deconstruction: The Pleasures of Absence p.250, Chapter 15: The Battle of High-Tech: Great Buildings With Great Faults p.270, Introduction: Post-Modernism Since 1980 p.290, Chapter 16: Post-Modern Classicism The Synthesis of a Public Language p.292, Chapter I7: Post-Modern Regionalism The Expression of Place p.312. Postscript: Architectural Culture In The World Village, p.330, Appendices p. p.347 | ||
| 650 | _aArchitectural Design | ||
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_c225 _d225 |
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