| 000 | 01688nam a2200277Ia 4500 | ||
|---|---|---|---|
| 003 | OSt | ||
| 005 | 20230715141001.0 | ||
| 008 | 181031s9999 xx 000 0 und d | ||
| 020 | _a9780415343763 | ||
| 040 | _ckrvia | ||
| 082 | _a720.1 | ||
| 082 | _bPSA | ||
| 100 |
_aSophia, Psarra _95054 |
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| 245 | _aArchitecture And Narrative: The Formation Of Space And Cultural Meaning | ||
| 260 | _bRoutledge | ||
| 260 | _c2009 | ||
| 300 | _a285 | ||
| 365 | _b30 | ||
| 365 | _cEuro | ||
| 365 | _d20 | ||
| 365 | _e1848 | ||
| 505 | _aIntroduction p.1, Part One: Foundations p.17, 1. The Parthenon and the Erechtheion: the spatial formation of place, politics and myth p.19, 2. Invisible surface: reflections in Mies van der Rohe's Barcelona Pavilion p.43, Part Two: Architecture and Narrative in Literature p.65, 3. The book and the labyrinth were one and the same': narrative and architecture in Borges' fictions p.67, 44.Threading the Library: spatial and mathematical journeys in Borges Library of Babel p.89, Part Three: Spatial and Narrative Interactions p.109, 5. Soane through the looking-glass: the house-museum of Sir John Soane p.111, 6. Victorian knowledge: the Natural History Museum, London and the Art Gallery and Museum, Kelvingrove, Glasgow p.137, 7. Contemporary experience: the Museum of Scotland, Edinburgh and the Burrell Collection, Glasgow p.161, 8. Tracing the modern: space, display and exploration in the Museum of Modern Art, New York p.185, Part Four: Theoretical Synthesis p.211, 9. Comparative discussion p.213, 10. The formation of space and cultural meaning 233 | ||
| 650 | _aArchitectural Theory | ||
| 942 |
_cBK _2ddc |
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| 999 |
_c6272 _d6272 |
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