000			00455nam a2200205Ia 4500
999			_c7337 _d7337
003			OSt
005			20200318152712.0
008			181031s9999 xx 000 0 und d
020			_a9780415461450
040			_ckrvia
082			_a720.1
082			_bGAR
100			_aRoberto Gargiani _92969
245			_aRem Koolhaas, OMA: The Construction of Merveilles
260			_bRoutledge
260			_c2011
300			_a343
365			_b45
365			_cPOUND
365			_d35
365			_e2714
505			_aChapter 1: Experiences with the Paranoid Critical Method p.2, Studies at the Architectural Association School of Architecture of London Berlin Wall as Architecture and Exodus p.3, Learning from Manhattan, 1972 to 74 p.13, Rectangular Projects, 1974 to 75 p.21, The founding of the Office for Metropolitan Architecture and the projects for Welfare Island, 1975 to 76 p.25, The case of Leonidov and the Floating Swimming Pool p.40, The Ductpark, subconscious infrastructure of the metropolis p.43, City archipelago of Ungers: the example of Berlin p.45, Teaching at the Architectural Association School of Architecture. 1975 to 80 p.46, The Culture of Congestion and the poche plan of Rome by Nolli p.56, Delirious New York 1978: paranoid critical interpretation of the grid and the skyscrapers of Manhattan p.62, Chapter 2. New Sobriety vs. Post Modern and Contextualism p.76, Projects 1978 to 79: the criteria of the Cadavre Exquis and the Tektonik p.77, Polemical writings of OMA, 1979 to 80 p.83, Works for Rotterdam, Berlin, Amsterdam and Scheveningen, 1980 p.90, Invisible Congestion: projects for Paris, 1982 to 83 p.102, The Danstheater at the Hague, 1984 to 87: collision p.109, Vernacular Modernity of the mid 1980s p.114, Strategy of the void: project for the Ville Nouvelle at Mclun Scnart and the Contemporary City p.118, The pavilion at the Milan Triennale, the De Brink in Groningen, the two patio houses in Rotterdam: Miesian surrealism p.124, The projects for the Churchill plein in Rotterdam and the City Hall of The Hague: forms of Dutch Manhattanism p.130, The villa at Saint-Cloud, 1985 to 91: metamorphosis of the Berlin Wall and the Floating Swimming Pool Table of Contents p.135, Chapter 3: The epoch of the merveilles p.142, Projects for the Kunsthal I and the headquarters of the Nederlands Architecture Institute in Rotterdam, 1987 to 88 p.143, Kunsthal II 1989 to 92. Essences of the modern p.148, From the Terminal at Zeebrugge to the Grand Palais at Lille: the importance des merveilles p.165, Geerlings house in Holten, metaphor of the slipping plane p.186, Deux Bibliotheques de l’Universitc ) Jussieu, Educatorium, Cardiff Bay Opera House and the pliable surface p.191, The house at Floirac, or of the Floating Box p.203, Projects for Miami, Munich, Almere p.215, Chapter 4. S, M, L, XL, 1995: principles for a theory of architecture p.222, Typical Plan. or the neutral rectangular plan p.223, Theory of Bigness p.227, Vierendeel concept p.228, Generic City, utopia of the continuous surface p.230, Composite stability and caractere: projects for towers p.235, Chapter 5: Generic volume, informal polyhedral solids and functional diagrams p.246, The McCormick Tribune Campus Center and the US facilities of Prada: Haussmannian poche and sponge p.247, Guggenheim Museum: OMA vs. Las Vegas p.258, The generic volume with trajectory and the prism with sloping planes: Almere Block 6, Dutch Embassy, Haus um die Schenkung p.263, The Y2K house, the Casa da Musica, the Seattle Public Library: informal polyhedra p.272, Variants of Manhattanism p.298, Form or program: NeWhitney and LACMA p.302, Koningin Julianaplcin, CCTV and TVCC, Hamburg Hafencity: apotheosis of the merveilles p.309, Junkspace p.320, Universal Modernization Patent p.322, The age of icon p.324
650			_aArchitectural Theory _92970
942			_cBK _2ddc