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082			_a709
082			_bRUG
100			_aD. Fairchild Ruggles _9420
245			_aWoman's Eye, Woman's Hand: Making Art and Architecture in India
260			_bZubaan
260			_c2014
300			_a229
365			_b708
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505			_aIntroduction: In the Presence of Women by D. Fairchild Ruggles p.1, Reading Place Through Patronage: Begum Sarnru's Building Campaign in Early Nineteenth Century India byAlisa Eimen p.12, Breaking the Rules: Purdah, Self Expression and the Patronage of Maharanis in Jaipur by Catherine B. Asher p.41, The Buildings of the Begums of Bhopal: Islamic Architecture in a Nineteenth Century: Indian Princely State by Barbara D. Metcalf p.66, Memorial Parks to Begum Hazrat Mahal and Mayawati in Lucknow: Cultural Landscape and Political Ideologies by Amita Sinha p.92, Making Women (in)Visible?Homespun in the Nationalist Politics of Dress and Identity in Modern India, 1917- 1935 by Lisa Trivedi p.114, Seen Through A Screen: Doris Duke's Patronage of South Asian Artists by Sharon Littlefield p.144, Thinking Through Pictures: A Kantian Reading of Amrita Sher Gil's Self Portrait as Tahitian by Pradeep A. Dhillon p.163, Pravina Meht: A Woman Architect in Post Independence India by Mary N. Woods p.184, Shifting Boundaries and Creating Identities: Women Architects In India: 1960 Onward by Madhavi Desai p.207, About the Editor and Contributors p.228
650			_aArt History _92635
942			_cBK _2ddc