000			01984nam a2200277Ia 4500
003			OSt
005			20231026164622.0
008			181031s9999 xx 000 0 und d
020			_a0847807118
040			_ckrvia
082			_a724.6
082			_bSCH
100	1		_aSchidt, Goran _95284
245	1	0	_aAlvar Aalto: The decisive years
260			_bRizzoli International
260			_c1986
300			_a282p.
365			_b1328
365			_cRupees
365			_d0
365			_e0
505			_aThe Technocratic Utopia p.9, Biography 1927-1939 p.19, The Turku Years p.19, First Steps On The New Road p.19, Working With Erik Bryggman p.29, Aalto's First Modern Furniture p.33, The Turku Office p.39, Sven and Viola Markelius p.46, Travelling in 1928 p.54, Encounter with C IAM p.58, The Stockholm Exhibition p.62, Autumn Excursion to the Continent p.65, Minimum Apartment Exhibition in 1930 p.68, Laszlo Moholy-Nagy - Friend and Inspirer p.70, The Wooden Chair Perfected p.78, A Politically Coloured Year p.85, The Decisive Breakthrough p.88, CIAM Meeting in Athens p.90, Move to Helsinki p.102, Exhibition in London 1933 p.103, 1934: Consolidation p.106, Aalto Through Japanese Eyes p.107, The Projektio Film Club p.114, Another Low Point p.117, Birth of the Artek Company p.121, On the Way to the Top p.128, Aalto's Own House p.128, The Paris Pavilion p.130, Aalto As A Glass Designer p.136, A Fortunate Friendship p.139, The Sunila Mill and Housing Area p.144, Villa Mairea and the New York Competition p.152, to the Great Land of the Future p.165, Second Journey to America p.172, The Human Side p.180, Aalto and the Rationalist Ideology p.187, 1. An Aesthetic Dilemma p.189, The Artist's Role in Society p.189, Independence Monument for Helsinki p.191, The Architect as Social Administrator p.193, Art Takes Its Revenge p.196, Aalto's Aesthetic Games p.201, Life’s total Harmony p.202
650			_aArchitectural Design
942			_cBK _2ddc
999			_c839 _d839