| 000 | 01037nam a22002057a 4500 | ||
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| 003 | OSt | ||
| 005 | 20240514124829.0 | ||
| 008 | 210617b xxu||||| |||| 00| 0 eng d | ||
| 020 | _a978026201774 | ||
| 040 | _ckrvia | ||
| 082 |
_a720.284 _bSCO |
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| 100 | 1 |
_aScolari, Massimo _93910 |
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| 245 | 1 | 0 | _aOblique Drawing: A History of Anti-parspective |
| 260 |
_aEngland _bThe MIT Press _c2015 |
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| 300 | _a390p. | ||
| 365 |
_aRs. _bRs.1983 _cRs. _d20 _eRs. 1586 |
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| 505 | _aIntroduction by James S. Ackerman p.vii, 1. Elements for A History of Axonometry p.1, 2. Spatial Illusionism in Pompeian Wall Paintings p.25, 3. Oblique Drawing p.47, 4. The Idea of Model p.137 , 5. Brunelles Chi's Model For The Dome of Santa Maria Del Fiore and The Gherardi Drawing p.185, 6. Demonstration Figures p.215, 7. Machinations p.247, 8. Soldierly Perspective p.287, 9. Drawing In Paralleli Modo p.325, The Jesuit Perspective in China p.341, 11. The Tower Of Babel: Form And Representation p.359, Index p.375 | ||
| 650 | 1 | 0 |
_aGraphics _931 |
| 942 |
_2ddc _cBK |
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_c9313 _d9314 |
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