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020			_a9780367078010
040			_ckrvia
082			_a720.288 _bCHA
100	1		_aChandler, Alan _94000
245	1	0	_aThe Production of Heritage: The Politicisation of Architectural Conservation
260			_aNew York _bRoutledge _c2020
300			_a252p.
365			_aRs. _bRs. 3681 _cRs. _d20 _eRs. 2945
505			_a1. Introduction – The fabrication of History. Heritage conservation in a capitalist culture 1.1 Heritage as narrative - The value of selection p.3, 1.2 History as an unfolding process – Style or substance p.7, 1.3 Frameworks for heritage, education and training p.13, 1.4 The professional landscape – How is heritage framed for the architects who frame heritage? p.16, 2. The Production of Heritage – Philosophies of fabrication p.26, 2.1 Palacio Pereira, Santiago, Chile p.30, 2.2 Defining the strategy p.38, 2.3 After the strategy, the tactics p.64, 3. Place: material and the urban imaginary p.86, 3.1 Covent Garden p.92, 3.2 Battersea Power Station p.107, 4. The Memory of Surfaces – The physical nature of visual memory and its illusion p.124, 4.1 Artificial Realities: the Courtauld Institute East-Wing Biennial – 2016 / 17 p.128, 4.2 Clandon Park and the ‘phoenix concept’ p.143, 5. History and Material Significance – Craft and a sense of place p.158, 5.1 St. Pancras Church, London p.162, 5.2 The Whitechapel Art Gallery, London p.179, 6. As Found – Tactics for a way out of the heritage trap p.200, 6.1 Conservation Plan and the mechanics of conservation empathy p.204, Ideologies – professionalism and economy p.208, 6.2 Learning - from Landscape Archaeology and Art p.212, True Value by Theaster Gates, Fondazione Prada, Milan p.2016, p.228, The People’s Landscape, National Trust p.231, Conclusions So where is history? p.24, Index p.248
650	1	0	_aConservation _94001
700	1		_aPace, Michela _94002
942			_2ddc _cBK
999			_c9362 _d9362